We consider a channel stagebox 16 to be a worthy investment in the long run.
We are here to help you choose the right one for your purposes from all the best available products in market today.
Our review process:
After carefully examining almost 70 boxes, we shortlist the below mentioned products.
Our final set consists of the best products and we also worked hard to maintain variety within our picks for personal choice.
We have been analysing these boxes for more than 2 years. We have probably handled more products and accessories than almost any team on the planet, so we have a particularly experienced perspective and depth of knowledge when it comes to these items.
Our collection of boxes for your regular usage caters high-quality, cheap and value-for-money requirements.
Note: Just because we didn't mention a box in this guide doesn't mean it's not good. The following are simply our picks for the best boxes for most people - you may have your own specifications , that make a different box better for you.
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We know from years of feedback from readers, customers and amazon sellers, what most people want in a box. The hosa channel stagebox 16 is exactly that - it's a simple box that hits all the right notes. This audio snake makes the job relatively easy. The channel sub snake is designed to take eight microphone signals to a mixing console with minimal clutter. It is made from quality materials and it looks durable for a good purchase. It is so well made, the body is like a tank. It is made of plastic with silver plated pins.
The box end does have a plastic, compression-type strain relief and the internal wiring in the box is clean, well dressed and well soldered. It is ideal for the microphone setup of a full drum kit without the need for multiple, long cable runs.
Why We Like This:
Very flexible and perfect size for a gig bag
Great product, sturdy build, and helps with cleaning up cabling in studio environments
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The seismic audio channel stagebox 16 is capable of outshining several other box featured in this list in overall features for the price point. Whether you have a permanent installation or mobile, this snake cable is rugged enough to handle whatever you throw at it. The cable has a nice soft, flexible silicone feel to them. The cables have a nice soft, flexible silicone feel to them. The stage box connects to a cable that is 50 feet long.
These 4 channels are RETURNS, for returning signal from your mixer back to the stage, such as for your main Left and Right outputs, and additional monitor or auxiliary outputs from your mixer. The quality of your sound can only be as good as the connections between the stage and the mixer and with this snake cable, each pair of heavy duty conductors is individually shielded, yielding crystal clear sound while rejecting extraneous noise. It's good quality as far as the materials used.
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The seismic audio low profile stage box is the best reliable box on the market today. This circuit board snake cable is rugged enough to handle whatever you throw at it. It offers a variety of unique speaker cabinets and music-related gear at affordable prices. The nickel plated xlr connectors on the returns make this snake cable fit right in with professional power amps and mixing consoles without the need for converters or couplers.
These snake cables from seismic audio speakers feature a low profile stage box, reducing the footprint. The shielded run of the snake feels great as well. It works well, quality construction. The box of the snake is sturdy enough. It comes with circuit board technology so you are insuring a solid connection with your connectors.
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Y.D.F offers a variety of box for personal choice and yet maintaining quality in all the variants. This model has 4 built-in XLR cables, color coded, and with numbered rings also serviceable. It is a 4 channel xlr snake that uses ethernet cable as the connecting cable instead of multicore. The boxes themselves are all metal stage boxes, as you would expect, with medium-heavy gage xlr pigtails coming out at a length or 3. The connector ends are all metal with rubber reinforcement and they are serviceable.
There's not much to these extenders, but they're super handy for reducing stage clutter when running live sound. These are great for any sound engineer, DJ, Studio engineer, Lighting designer, audio and DMX installation or anyone that needs to send any type of XLR signal over a distance. It comes in a nice velvet bag as well to keep it all nice and neat.
Why We Like This:
Great product, space saver and sounds good as well
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Not everyone likes to purchase box for their daily purpose, but the y.d.f ethercon cable would be an anomoly. This extender has made it so much easier to customize layout and set up is a breeze. These boxes are designed to allow 4 channels over a single double shielded CAT6 cable, eliminating the need for 4 XLR cables between source and input. They have the XLR jacks on one side and an RJ45 port on the end. It has greatly improved work efficiency and saves manpower and resources.
The enclosures are pretty compact, enough space around the ports to get your fingers in without issues but no unnecessary space. This is a great way to run an xlr cable over distance.
Why We Like This:
You can use a couple of switches to extend
Very versatile, useful, and compatible with so much
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These are easily solved problems with a sharpie or label maker. Each stage snake comes with a bag to cover the stage box or fan during transport or storage. It is used for an extender to another snake. The silk-screening on the box is coming off easily. It comes with a bag to cover the stage box or fan during transport or storage.
Why We Like This:
Excellent, low cost mic snake that is built well and easy to service
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Harmony Audio is known for creating pragmatic and minimalist box for people on the go, and its line of harmony audio channel stagebox 16 definitely falls in line with that reputation. It is made of all metal steel stage box with handle and handle. It is easy to use, numbers well marked for reading. The fan has braided jackets on each send and return, legible numbers on the XLRs as well as the box end. It is constructed from 22 gauge oxygen free copper with a dual-spiral shield for superior noise rejection. It is used for 3 yrs without a glitch.