Are you planning to buy f1 microphones, and are you confused about the options ?
You have come to the right page.
Our review process:
We have listed out the best microphones for your regular usage after careful survey and comparative studies.
Our final collection has reliable products and we also worked hard to maintain variety within our picks for personal choice.
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The zoom shotgun microphone might be a relatively new release, but it's still nothing short of impressive this year. Zoom's unique system of interchangeable input capsules allow you to always use the right microphone for the audio recording you're creating. It has a great super cardioid patter that picks up clear discernible vocals from 10 ft to 10 ft. Even if it makes a slight hiss (higher noise to signal ratio than the built in xy mic) it is still a great mic. It allows you to capture a fully mono-compatible stereo image that can be adjusted during recording or in postproduction, making it ideal for film, video, and television projects.
The Rode appears to be designed to feed a camera's onboard audio recorder. It is a capsule mic so it has to stay with the h. The included windscreen does a good job at preventing the wind from messing up the recording. It sounds a lot better, and whatever noise floor that is there can be removed in post easily.
Why We Like This:
Excellent sound quality, great room echo rejection
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The f1 microphone is capable of outshining several other products featured in this list in overall features in its price range. The SSH-6 stereo mid-side shotgun capsule allows you to capture dialogue with the mid (center) mic, and then blend in the desired amount of environmental sound captured by the side mic in post-production. Together, they capture a fully mono-compatible stereo image that can actually be adjusted after recording, giving you a whole new level of precision in your ability to shape sound. It provides dual large diaphragm mic elements in an x/y stereo configuration. It offers adjustable width—choose 90 degrees for a more focused sound or 120 degrees for a wider stereo image—and is a great choice for live recording and for capturing sound effects in the field.
The SSH-6 allows you to do mid-side recording with your zoom h5 or h6 handy recorder, or zoom q8 handy video recorder. It allows dialogue and narration to be recorded at a distance, without an obtrusive mic in the scene, making it perfect for film and video shoots, live theater, and eng (electronic newsgathering) applications. The Sound quality is not quite as good as the X/Y arrays but the raw MS mode is very useful and it's easier to protect from wind if you're out doors.
Why We Like This:
Makes for a nice small compact audio recorder
Allows stereo width to be altered in post-production
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For a low asking price, f1 microphone has managed to overwhelm their customers by packing as many features as they could. The XYH-6 adjustable stereo microphone capsule employs two angled high-quality unidirectional mics which are sensitive to signals coming from the front but less to signals coming from the sides and rear. It allows dialogue and narration to be recorded at a distance, without an obtrusive mic in the scene, making it perfect for film and video shoots, live theater, and eng (electronic newsgathering) applications.
The XYH-6 provides two matched large diaphragm condenser microphone elements which yield a crisp, detailed stereo image. It especially makes a lively recording at the same time. The XYH-6 allows you to do stereo x/y recording with your zoom h5, h6, or q8 handy recorder. It is good for live recording. It is designed to handle extremely loud sounds, making it the perfect choice for capturing the sound of live rock concerts and for electronic newsgathering (eng) applications.
Why We Like This:
Analog-style gain control for fast setting of input level
5 -volt preamp minimizes distortion even at high volumes
Ideal for live concerts, music rehearsals, and field recording
Large diaphragm mic elements for extended frequency response