The 8 Best floor Tom Microphones (2023 reviews)

floor tom microphones
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Are you planning to buy floor tom microphones, and are you confused about the options ? Your search ends here.

Our review process:

Our Top Picks:

Best Overall:
Buy: Heimu floor Tom Microphone
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Best For Tom drums:
Buy: Shure floor Tom Microphone
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Best For metal:
Buy: CAD Audio floor Tom Microphone
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Best For cajon:
Buy: Nady floor Tom Microphone
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Best For Bass Drum:
Buy: Nady floor Tom Microphone
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Best For mounting On toms:
Buy: Sennheiser Pro Audio floor Tom Microphone
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Best For Hihat:
Buy: Godpsmusic floor Tom Microphone
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Best For every style:
Buy: Sennheiser Pro Audio Perfect Microphone
READ REVIEW

Best Overall: Heimu floor Tom Microphone

Heimu floor Tom Microphone
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If you often find yourself scrambling for good microphone, heimu floor tom microphone is your end point. When you are in a tight budget this is the perfect microphone to buy. This mic picks up great low frequency for kick drums. It has a strong supercardioid pattern with good proximity effect. It’s got an “honk” to it that colors the tone when used on a bass amp for recording.

The mount is plastic but sturdy looking. It will work for micing a bass guitar cabinet because it has a large diaphragm. It’s got deep enough bass to work with.

Why We Like This:
  • Solidly built mic with great sound for live sound
  • A great value for the money for live sound on a budget
  • Perfect complement to a 22 in kick's sound
  • Microphone good for a tight budget

Best For Tom drums: Shure floor Tom Microphone

Shure floor Tom Microphone
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The shure floor tom microphone is capable of outshining several other microphone featured in this list in overall features for the price point. It's designed more for a snare mic. If you tap your finger lightly on the side of most microphones you can hear an amplified thump from the speaker, however this one generates a specific tone. This tone will color the sound of whatever sound waves you're trying to capture. You can eliminate the shock vibration to the housing by isolating the microphone on its own mic stand, but this particular mic is designed to attach to a supplied armature that mounts directly to a snare or tom drum.

The mic clamps are very hard to snap on the rims but over all great sounding. It does pretty well, just take some time to get the eq right on your interface.

Why We Like This:
  • Rock solid build quality and better form factor for drum mic’s
  • Excellent for mounting on the side of your tom
  • New and hot release

Best For metal: CAD Audio floor Tom Microphone

CAD Audio floor Tom Microphone
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Not everyone likes to purchase microphone for their daily purpose, but the cad audio floor tom microphone would be an anomoly. These are great mics for a home studio or playing live. The bass drum mic and 2 cymbal overhead mics require mic stands. They're condenser mics, so they need 48V phantom power to work. They do not mount microphones securely but do not take away from sound.

The condenser mics themselves are pretty solid, they sound pretty good. It can be used in a new youth building to mic an old drum set, which really brings them back to life. This product is great for the money, and you can get some high quality recordings even with these low $ mics.

Why We Like This:
  • Excellent sound for a newbie into recording
  • Good brand reputation

Best For cajon: Nady floor Tom Microphone

Nady floor Tom Microphone
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If you often find yourself scrambling for convenient and suitable microphone, nady floor tom microphone should be your first option for buying. This set consists of four Nady DM70 Drum and Instrument Microphones and a DM. These are dynamic mics, which means they require no phantom power and can be used with an xlr cable or an xlr with a 1/4" adapter for the mixer end. This one is built like a tank and does the job. It has some shock padding, which is helpful.

The mics are built like tanks and are reliable and capture signals that are surprisingly accurate. It does not distort at all, even at full velocity. It comes with a rubber isolation ring as part of the mount, so no worries about vibration or rattling.

Why We Like This:
  • Easily over 200 gigs and 30 different bass drums
  • Excellent value and surprisingly good mics
  • Wonderful on woodwinds and brass instruments
  • Strong and steady kick drum sound, heavy

Best For Bass Drum: Nady floor Tom Microphone

Nady floor Tom Microphone
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The nady floor tom microphone's high-end materials makes sure that it ages well with use. It's better to go with a bass floor drum mic. With this particular mic you will get more of the strings on the fret board than the deep warm tones you're looking for. It has a design for enhanced bass and fast transient response. It comes with a clip to mount directly on the drum. It is great for a 16" floor tom and hi-hat.

This is a drum mic and it works great, if you are running it through a mixer than you can make the necessary adjustments so it should work just fine for a acoustic guitar. The nady dm70 microphone is equipped to handle extremely high sound pressure levels without distortion. It has no on-off switch and also includes a folding mic clip.

Why We Like This:
  • Transformerless moving-coil dynamic design for enhanced bass and fast transient response
  • Perfect for conga’s use but just a bit heavy
  • Clear sound even with lower frequencies and no vibration noise

Best For mounting On toms: Sennheiser Pro Audio floor Tom Microphone

Sennheiser Pro Audio floor Tom Microphone
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Next on the list, we've got yet another microphone that manages to win our hearts. It's the sennheiser pro audio floor tom microphone and it's widely considered as microphone that has the most suitable features. This microphone is just a fantastic reference mic. Not only do these mics sound awesome, they are incredibly easy to mount. It's made of metal, as opposed to plastic, although the plastic ones have taken multiple stick hits without showing any signs of trauma. It does make placement a bit more critical to minimize pickup of the rest of the kit, but its not all that difficult with the Audix mounts.

The 904 is significantly more solid than the 604s, with a good, hefty feel to it. It is ideal for mounting on toms and snares. The right processing with a bit of expansion or frequency focused gating does wonders for cleaning things up. It can take an occasional whack from a drum stick with less of a shock and keep in ticking.

Why We Like This:
  • Full, impressive, lively sound for drums and percussion
  • A solid mic, great tone, very durable in a dangerous environment for a mic
  • Plastic shell resonance that becomes apparent in critical listening

Best For Hihat: Godpsmusic floor Tom Microphone

Godpsmusic floor Tom Microphone
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Next on the list, we've got yet another microphone that manages to win our hearts. It's the godpsmusic floor tom microphone and it's widely considered as microphone that has the most suitable features. Audix microphones deliver a quality sound and this kit gets you the full set. The DPA7 package represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio. These two mics will require phantom power to operate. It comes with a stereo pair of sdc condenser microphones for capturing the cymbals and kit. They are very nice sound mics too.

This is an incredible mic pack. It can be used as overhead mics. It is packaged in a foam-lined aluminum road case for safekeeping when the microphones are not in use.

Why We Like This:
  • Much much warmer and crisp sound
  • Two d2 dynamic drum microphones for rack toms
  • Four d-vice rim mount clips for the snare and tom microphones

Best For every style: Sennheiser Pro Audio Perfect Microphone

Sennheiser Pro Audio Perfect Microphone
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Sennheiser Pro Audio has been making great microphone for years, thanks to a combination of clever design and appropriate materials. If you put some compression, a mild enveloper and almost zero EQ, you'll have a killer sounding bass drum for rock and metal. It's got more presence than the RE20, but less low thud. It is not a phantom powered mic and has a very low response pattern, 16 to 45hz which is not where vocals are. It also sounds great recording bass amps on axis.

It has so much low-end without eclipsing the mids. It's ideal for direct use on the most problematic bass signal. It is designed for extreme low end reproduction. It is ideal for direct use on the most problematic bass signal. It's almost plug-and-play as there's no need to wrestle with it during mixing.

Why We Like This:
  • Must have for anyone recording drums for a rock or metal project
  • Highly highly highly recommend to any drummer that wants a killer kick sound
  • Just the right kind of balance of attack and bottom boost