Are you looking for collection of best triangle beaters ?
This page is just for you.
Our review process:
We looked at several aspects when choosing the best beaters, from objective measures such as physical dimensions and design to subjective considerations of look and feel. Though we have a variety of recommendations across various styles, all of our picks satisfy criteria that suit most people, thereby reducing the confusion of choice.
While you may find a beater for any aesthetic preference, we looked for beaters that had simple, elegant designs - ones that would appeal to most people - rather than models that adhered to specific aesthetic choices.
Note: It doesn't mean that the beaters that aren't mentioned here are bad. We picked these because these will help most of the people. If you have very specific preferences, we suggest you consider one of the below-mentioned products as a starting point before finalizing your pick.
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If you often find yourself confused about convenient and suitable beater, grover pro percussion triangle beater is your solution. The Grover TB-SD Super Deluxe Triangle Beater Set takes out the guesswork. This special set of twelve beaters contains three different models of beater, including their popular alloy 303 straight rod beaters, the stainless steel tubular beaters, and the heavy. While the tubular beaters facilitate the maximum amount of overtone resonance, the three pairs are handy to cover situations where “two-handed” playing is required.
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Meinl Percussion line of beater come in a pretty wide variety of styles, so you can definitely find one that suits your individual preferences and needs. There is a lot going on inside this shape. The Meinl liquid triangle is a solid steel triangle, welded securely to a steel shell, creating a chamber which contains liquid and is closed with a very thin plate. The general angle of the instrument will affect the specific pitch of the overtones, and this can be modulated by hand movements.
The triangle portion may be played in the classical manner, while the chamber creates eerie resonant overtones. The instrument may be struck or bowed on any portion of its surface.